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The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War

The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War

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Author: Lynn H. Nicholas
Publisher: Vintage
Category: Book

List Price: $16.95
Buy New: $9.99
You Save: $6.96 (41%)



New (12) Used (11) Collectible (2) from $9.72

Rating: 4.5 out of 5 stars 14 reviews
Sales Rank: 2058

Media: Paperback
Pages: 512
Number Of Items: 1
Shipping Weight (lbs): 1.1
Dimensions (in): 8 x 5.2 x 1.1

ISBN: 0679756868
Dewey Decimal Number: 709.043
EAN: 9780679756866
ASIN: 0679756868

Publication Date: April 25, 1995
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand new item. Over 3.5 million customers served. Order now. Selling online since 1995. Order with confidence. Code: B20081202223058T

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Also Available In:

  • Hardcover - The Rape Of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War

Similar Items:

  • Rescuing Da Vinci: Hitler and the Nazis Stole Europe's Great Art - America and Her Allies Recovered It
  • The Rape of Europa
  • The Lost Museum: The Nazi Conspiracy To Steal The World's Greatest Works Of Art
  • Museum of the Missing: A History of Art Theft
  • The Rescue Artist: A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece (P.S.)

Editorial Reviews:

Amazon.com Review
Every few months you'll read a newspaper story of the discovery of some long-lost art treasure hidden away in a German basement or a Russian attic: a Cranach, a Holbein, even, not long ago, a da Vinci. Such treasures ended up far from the museums and churches in which they once hung, taken as war loot by Allied and Axis soldiers alike. Thousands of important pieces have never been recovered. Lynn Nicholas offers an astonishingly good account of the wholesale ravaging of European art during World War II, of how teams of international experts have worked to recover lost masterpieces in the war's aftermath and of how governments "are still negotiating the restitution of objects held by their respective nations."

Product Description
The cast of characters includes Adolf Hitler and Hermann Goering, Gertrude Stein and Marc Chagall--not to mention works by artists from da Vinci to Picasso. And the story told in this superbly researched and at times suspenseful book is that of the Third Reich's war on European culture and the Allies' desperate effort to preserve it. 90 illustrations and photos. 3 maps.


Customer Reviews:   Read 9 more reviews...

5 out of 5 stars See the movie, first   October 12, 2008
KATBYTE93 (PENNSYLVANIA, USA)
The book is excellent as a resource after seeing the movie. For nonartistists such as myself, this is a great resource to further my understanding of the film. The film is 5 stars and really shows what happened.


4 out of 5 stars I am truely ambivalent in this review   September 8, 2008
W. Brandt (Sacramento, CA)
On the one hand, it is a very scholarly account of the systematic theft of Europe's art by the Nazis. I was interested in this book after reading a review of the movie, which came through Sacramento all too briefly (never to return, it seems).

There was also an article on this in, I believe, Smithsonian Magazine.

So my interest was seeded.

It is the story of how about 200 American (and a few British) servicemen were sent out with Patton's 3rd Army (among others) to find and catalog paintings and other artwork looted by the Nazis in every conquered country. They found masterpieces from the Great Masters in every location from caves to Neuschwanstein castle in Bavaria. There were literally 2,000 hiding places the Nazis used - many found with the aid of local townspeople. The 200 literally saved Europe's heritage.

Quite a story, wouldn't you agree? However the book is laden with such detail as to be a cumbersome read. Do you really need to know what Picasso was doing in Paris during the occupation or that a Parisian Art dealer fell though an open hatch (and died) on a ship crossing the channel to freedom in England? Just because you know it doesn't mean you have to tell everyone else about the fact.

In wading though this I wonder how Lynn, after 60 years, came across this stuff!

The book is an invaluable source of information for learning every nut and bolt detail of the Nazis' plan to loot Europe for someone needing research. But as a bedtime read?

I gotta tell you I am using discipline to wade through this book because the subject is so interesting. I am almost through.

My parents enjoyed the book and it has received rave reviews so what do I know...



5 out of 5 stars great book on art looting   July 4, 2008
Amy Smith
2 out of 2 found this review helpful

The Rape of Europa is an eye-opening book. Nicholas has done a tremendous amount of research that reveals the almost unimaginable extent of Nazi art looting during World War II. But the book never gets bogged down in details. The chilling story moves along quickly. I recommend this book highly for anyone interested in World War II, or for readers who are curious about the political uses of art.


5 out of 5 stars rape of europe   March 2, 2008
M. Van Britsom (amsterdam, netherlands)
3 out of 3 found this review helpful

What an eye opener. after reading this book one think the world war II was ment by the Germans to get hold on art only. One can never visit an museum in europe/america/ Argentina/south america/auction houses without thinking: what is the provenance of said article: also robbed / fenced/ stolen? How much blood is on it? Is there not an exhibition in London (March 2008) with stolen art by the Russian (so called reparation payment taken from hidden German wareshouses) this month full with French/Paris school / entarte kunst and more? Comming from France the loot was 28 thousant train wagons(containers)

After reading, one should feel never be save anymore regarding own collection!



3 out of 5 stars See the movie if you can   February 2, 2008
Ingrid Masak Mida (Toronto, Ontario Canada)
6 out of 7 found this review helpful

After seeing the documentary movie with the same title, I was anxious to buy the book. The movie is based on the book and generally I find books preferable to movies. In this case, however, I would recommend the movie unless you are an art history major or World War II history buff. The book is a scholarly work with dense writing and extensive footnotes. While I can appreciate such texts, it was not what I was expecting since the movie is so engaging that I sat through it utterly entranced and with an intense desire to learn more.

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